Classical Humanism in Art

5) Classical humanism in Art Juxtapose two or more works from this period which you feel are illustrative of the re unexampled interest and enthusiasm for/reinvention of classical humanism. Describe the works in detail, discuss their internal symbols and larger social, cultural and political significances re attitudes to classical humanism C15 ItalyHumanism intro Renaissance patrons understood the power of imagery and used it to extent their fame Courts throughout Italy were thriving centers of artistic activity and vied with each other for prominent humanitarian scientists, writers, architects,painters and sculptors Humanist subjects were taught in schools.The most enlightened renaissance popes encouraged the humanist assimilation of ancient greek and roman philosophies into their own Christian faith inspired by the ideas in ancient greek and roman texts, which confirmed their red-hot dexterous and scientific interests in understanding the world The praise of the deeds of bang-u p figures from antiquity that the humanists found in roman and greek texts supported the notions of pride and fame that were becoming important in a society whose major figures were successful business line entrepreneurs and bankers Sought to supplement faith by insisting on the dignity of the individual and human potential for achievement Gave art and artist a new dignity and opened the way for a new level of literary discussions on art Natural observation an important featureExpanding middle class, new types of art were commissioned by individuals to adorn their private town houses of country villas The dignity of the individual and new selfconsciousness promoted by e Italian humanists had an important deviate on attitudes about artists Renaissance artists were viewed as trained intellectuals versed in the classics and geometry Artists became famous Began to create self portaits, a sure indication of theit new view Artists and workshops received a variety of secular and religio us commissions Rulers continued to employ works of art for the traditional purposes of exalting and consolidating their power Rulers often commissioned portraits semipolitical he humanists created, or recreated a structure of values different from that on which medieval ideals of chivalry and nobility were based. humanism was nurtured in the italian city-states, with their republican (not clerical or aristocratic) govts. , epitomized the new ideals of self-reliance and civic virtue- civic and mundane, not chivalric or contemplative. SOCIAL & CULTURAL the growth and spread of humanism is pre-eminent in the intellectual history of the fifteenth century but its r/s with the visual arts is complex and sometimes ambiguous. dontellos statues exhibit a dignity and realism. his works bodied the new ideal man of the renaissance and showed people as self-determined individuals, powerful and intellectually alive.